Criminally Difficult

Hello, dear readers, loyal followers, and those of you who stumbled randomly onto this blog in the wide inter-verse.

This past year has been a difficult year.

I've (now) written eight novels. I know how it's done. I have a system for writing novels and piecing stories together - one that involves a collision of plenty of pluck and pretty careful planning. I have never written a book that has not been marinating in my brain and in my writing journals for at least two years. I am deliberate and intentional, and I have a knack for knowing what works and what doesn't in a story. Writing is, for me, both a gift and a discipline. And that is why this year was so, so frustrating, because no matter how much all of my above-stated "ducks" were in a row, I simply could not make the time to get the sequel to BREEDER written when and how I wanted it to be written. Even though I felt like it shouldn't have been, CRIMINAL was criminally difficult to write.

It started with burn out. In March of last year, I wrapped writing on the first draft of BREEDER right on the heels of having finished the first draft of The Bone Whistle. So, from October 2013-March 2014, I wrote two novels in two different series in two entirely different styles and totaling about 290,000 words (That's more than the length of the first three Harry Potter novels combined). I only took about two weeks off in those six months, and while I was finishing writing BREEDER, I was also starting edits on The Bone Whistle, which was set for publication in September 2014. When I turned in BREEDER at the end of March, I sat back and took a break from writing while I continued to work with my editing team on The Bone Whistle, but I fully intended on picking myself up after a couple week break and beginning to write CRIMINAL so as to have it complete before my baby came in October - because, oh yes, I was also pregnant with my fourth baby.

And... It just didn't happen.

I was so tired. I look back on last summer and wonder why I couldn't make myself write, and I can only guess that I was just beyond burned out. The story was in my head, all my planning was done, but my creative juices were gone. I think the toll of basically completing six NaNoWriMo challenge equivalents in a row had caught up to me, along with the mental strain of those books - the last in a long series that had to tie up every loose thread, and the first in a series that was untested and unknown. Every week that passed last summer, I told myself I would get to work on CRIMINAL, and every week I didn't. And then school started, and I went back to teaching full time, and my time and energy diminished even more. And then I had the release of The Bone Whistle to manage, and then one week later, my fourth little baby boy decided to make his entrance to the world three weeks early. I'm sure everybody knows, or at least has heard, how exhausting the first few months with a newborn are, and so after Edmund's birth, all possibilities of writing productivity dwindled even more. November arrived, and with it, the Time of Much Sickness. Between Thanksgiving and Easter of this past year, between myself, my husband, and my four boys, we did not have more than a single week where everyone was well. We experienced the flu, RSV, bronchitis, pink eye, croup, ear infections, strep, asthma attacks, migraine headaches, and more. It was bizarre and awful and dispiriting, and... I couldn't find the time or the energy to write. I was nursing my baby, too, which takes hours of every day, and between that, working full time, cooking, taking care of sickies, being sick myself, being wife and mother, and all the other general things in life, I despaired at finding any time to get down to writing CRIMINAL. There were even a few dark moments where I wondered if my writing career was over because I simply couldn't balance everything in my life anymore.

I am the sort of writer who needs time to write. Perhaps that sounds like a "duh" thing to say, but let me explain. If I can't carve out a couple hours to devote to it at a time, it's hard for me to even bother. A half hour here and there is not enough time for me to get my head in the game. At least, that's what I'd always thought, because that's how I'd always written. I'd always started a book and knocked it out in 6-12 weeks, working several hours each day to get it done. This year taught me that if I was going to practice was I preach about the discipline of writing, then I would have to change the way I write books in order to fit into my new schedule with four little ones instead of three (that fourth one really does make a difference!). I would have to write in the stolen half hours - fifteen minutes - five minutes - in between diaper changes and staggered naps. I would not be able to stay up half of each night for a month to get a book written, because I just don't have the energy for that anymore, and it's not fair to my family! I would have to adapt to my new life, or my writing career would be over. So I did.

Sometime this past year - I think it was February - I opened my document (that I'd created last summer) and began to pick at CRIMINAL. There were days where I only got a hundred words on the page, but at least I got those hundred words on the page. But I lost track of things far too easily. The benefit of writing novels the way I usually write them is that because it happens so fast, I don't forget much of what I've already written as I go. But with CRIMINAL, sometimes it would be weeks in between scenes, and I couldn't remember which story elements I'd already included. This made for a lot of rewriting as I went along, and for a painfully, criminally slow writing of the first draft, but I got it done. I got it done! And then I did a complete revision, and that took a few weeks, too, because there were a lot more rough edges than I usually have, but that is now also done. It took me six months, and I think it was an important six months. I don't know if I'll ever again be able to write novels like I used to, but now I know I can write novels like this - with baby steps rather than marathon strides. I got to the finish line, beta reader feedback is already starting to come in (it's positive!), and I hope to have publication info soon. It still has a long official editing process to go through, so I don't know if it will squeak in before the end of 2015, but if it does, it will be a Christmas miracle! All I can promise at this time is, it's coming...

Virtual Cookie Exchange

Today on the Virtual Cookie Exchange, I'd like to introduce you to a recipe created by my sister-in-law: White Chocolate Cranberry Oatmeal Cookies!

I chose this recipe not just because my sister-in-law is crazy brilliant in the kitchen (which she is), but because it ties in nicely with my newest release, Breeder.

 Summary of Breeder

Everything about Seventeen’s life is perfect, from her genetics, to her home in Sanctuary, to her status as a Breeder in the Unified World Order. But all that changes when an Enforcer named Pax infiltrates Sanctuary and targets her for extraction from the Controlled Repopulation Program. Pax plants dangerous doubts in her mind that accuse Sanctuary of hiding a dark secret, and that cause Seventeen to question everything she’s ever known.

When Seventeen’s life is threatened, she has little choice but to run away from Sanctuary with Pax. But for Breeders, contact with men is forbidden by law, and even the simple act of taking Pax’s hand is treason.

Mired in confusion, Seventeen takes the name Pria, the identity of her childhood, and embarks on a quest to discover the truth. In her world, the truth comes at a price, and uncovering it will require a greater treason than Seventeen could ever have imagined. 

Breeder is set in futuristic Denver, but most of it takes place in the mountains and wilderness outside the city. My main characters, Pria and Pax, spend most of their time out in this wilderness searching for, and hooking up with, people who can help them survive in a world turned hostile against them. I wanted to find a rustic, almost granola-like cookie recipe to tie in with the book, and this one works perfectly. Not only does it remind me of my short time living in Colorado, but it's the sort of cookie my characters in Breeder would make if they were to make cookies at all. I hope you enjoy it, and be sure to enter the Rafflecopter Giveaway below!

The recipe!

1 stick of butter, softened *

1/2 cup sugar
1/2 cup brown sugar, packed
1 egg
1/2 tsp vanilla
1 cup flour
1/2 tsp baking soda
1/2 tsp baking powder
1/2 tsp salt
1 cup oats (quick or old fashioned)
1/2 cup to 3/4 cup fresh cranberries, chopped
1/2 cup white chocolate chips
1/2 cup nuts, chopped (I used pecans, walnuts would be good too!)

Preheat oven to 350 degrees.  Cream together butter, sugar and brown sugar.  Mix in egg and vanilla.  Stir in dry ingredients, mixing well.  Mix in oatmeal, chocolate chips, cranberries and nuts.  Scoop 1 inch balls of dough onto a greased cookie sheet.  Bake 8 – 10 minutes.

*You can do a combination of butter and shortening (or coconut oil) to make crisper cookies.  Totally up to you.  I have made them both ways…and both are delicious.  However, the all butter recipe tends to freeze better.

SneakySpoons Original (Find more from SneakySpoons at sneakyspoons.com)

You can purchase Breeder at: 

Amazon     Barnes and Noble     Kobo     iTunes     TWCS


Giveaway! Enter to win 2 $25 Amazon Gift Cards

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The Passing of Dystopia?

I saw an entertainment news headline this morning on IMDb that got me thinking... Is Dystopia a trend that has passed in literature? Or is it, instead, at its peak? I've been planning my next book series (a NA Dystopia, for those of you who don't know) for about two years, and for the last year or so, I've run into people who have told me in no uncertain terms, "That ship has sailed!" Over! Done! What need is there for another Dystopian novel? People have moved on...

I disagree, and I think the facts are on my side.

The headline I saw stated that The Hunger Games: Mockingjay has just set a 2014 record for first-day pre-sales. And what was the previous record-holder for this year? Oh yes, that would be Divergent. (You can read the article here.) Unless you've been living on another planet, you are probably well aware that both of these movies are based off bestselling Dystopian book series.

As with any trend, at some point the market will become saturated with imitation novels, with all sorts of people who want a piece of the pie, and I think people who tell me the trend has passed believe the Dystopian market is already saturated. Do I want a piece of the Dystopian pie? Sure. But is that why I wrote BREEDER? No. I think Dystopian is a crucially important genre right now. The world is rapidly changing. My children are growing up with the sort of technology I watched on The Jetsons as a child, and I can only imagine what will become normal in the next ten years. But with all sorts of fun technology come questions of ethics and morality, questions that effect the human race and our stewardship of the earth itself. Throughout history, periods such as this have always led to great expression in literature, and I think many authors of Dystopia today see the world heading in directions that warrant warning. Isn't that - beneath the adventures, beneath the heroes and heroines, beneath the love triangles, beneath all the surface trappings of the story - what Dystopia is really all about?

So no, I don't think the Dystopian trend has passed. Far from it - I think it's at its peak, and I don't see it passing any time soon. People are hungry for stories that look forward to the future, especially in an era of rapid technological increase, terrible world conflicts, and threats of ebola epidemics. There may be a lot of Dystopian books out there right now, but I don't think the market is saturated, not yet. And I promise to deliver something in BREEDER that I think has been notably absent from most of the other Dystopias: hope.

Book 1 of The Breeder Cycle: BREEDER coming December 11, 2014! 

Breeder Cover Reveal!

I am happy to reveal the cover and back cover summary of Breeder, the first in my New Adult Dystopian trilogy. Are you more of a Dystopian fan than a Fantasy fan? Prefer The Hunger Games to Harry Potter? Stay tuned, because my next series might just be for you...

Perfection comes at a terrible cost. 

Everything about Seventeen’s life is perfect, from her genetics, to her home in Sanctuary, to her status as a Breeder in the Unified World Order. But all that changes when she meets a rogue Enforcer named Pax, who infiltrates Sanctuary and targets her for extraction from the Controlled Repopulation Program. Pax seems to know a little too much about her, and he plants dangerous doubts in her mind that accuse Sanctuary of hiding a dark secret, and that cause Seventeen to question everything she’s ever known.

When Seventeen’s life is threatened, she has little choice but to run away from Sanctuary with Pax. But for Breeders, contact with men is forbidden by law, and even the simple act of taking Pax’s hand is treason.

Mired in confusion, Seventeen travels with Pax to the outside world and takes the name Pria, the identity of her childhood. But she is far from certain she’s made the right decision when they discover an entire community of people who should no longer exist.

Seventeen, now Pria, is thrust into a position as a key player in a dangerous bid to bring down the Unified World Order. Meanwhile, Pax's attachment to her and her growing attraction to him contribute to the ever-growing mysteries in her life.

Pria’s journey from a sheltered, naïve Breeder to a rebel agent requires not only external transformation but self-discovery. As her world crumbles, Pria must decide who she is and what she really believes.

But in her world, the truth comes at a cost, and uncovering it will require a greater treason than she could ever have imagined.

Copyright TWCS Publishing House

Coming late 2014 

Blog Hop: My Writing Process

Hello! This week I was kindly invited by fellow TWCS author Rene Gilley to participate in a blog hop, and as I've been woefully remiss with my blog this year, I thought it would be a great opportunity for me to connect with some new readers. So, if you're new to my blog, welcome! You can also learn about me by visiting my website. If you're an old friend, welcome back, and I hope you take a moment to check out Rene's blog hop post here and encourage her as her debut YA novel, Just Sing, is set to release in one month.

1. What am I working on?

I am working on several books at the moment. First up is the final release of my 6-book YA fantasy series, The Gateway Chronicles. Book 6, The Bone Whistle, will be out this fall (no release date yet, sorry!), and is in the final stages of the editing process. In the early stages of edits is the first book of my NA dystopian trilogy, Breeder, which should be released around Christmas of this year. While those edits are in process, I'm also working on the two sequels to Breeder, Criminal and Clone, and I'm hoping to have those manuscripts wrapped before The Bone Whistle comes out in the fall. So, I have a lot on my plate right now!

2. How does my work differ from others in its genre?

My fantasy work really hearkens back to an older tradition of storytelling, I think. I'm not saying it's old fashioned, but it will appeal to the adult who loved The Chronicles of Narnia as a child, and to the teenager who's looking for something on their level that is also deep, soulful, and meaningful. I read a lot of YA literature - almost exclusively so, actually, and almost all of it in the speculative genres - and I have not come across anything modern that feels or reads quite like my Gateway Chronicles. Modern YA lit tends to be all about self-actualization. In contrast, my Gateway Chronicles challenges the natural selfish tendencies of teenagers and taps their full potential to be giving, constructive, talented, and selfless members of society - granted, I do this over the backdrop of a fantasy realm with all sorts of adventures, romance, mysteries, and action thrown in for good measure. But I really do think this sets my fantasy books apart from most of the other YA equivalents out there.

As to my dystopian writing, well . . . let's just say, I guess I'm an old soul at heart, because it follows this same trend. Breeder reads more like The Giver than Divergent or The Hunger Games. I say this with some trepidation, because it's not necessarily a good thing to say your book is NOT like the most popular books current in the genre, but I really do think people are constantly looking for new spins on old ideas, and Breeder will deliver just that. As a New Adult novel, it's geared for a little older audience than my YA fantasy material, and this is because the story is really intense, and it deals with mature themes and a truly horrific futuristic world. Thematically, it has the gravitas of the older, classic dystopians, mashed together with the intensity of a good science fiction novel, and the romantic tension of a modern dystopian like The Hunger Games. It follows one girl's journey as she slowly uncovers the layers of reality and illusion in her world, and like a good mystery novel, it should cause the reader to second-guess what she's uncovering at all stages. In the very end of the last book, when all is revealed, I want the reader to sit back and go, "What? What? I can't believe that's what's been going on this whole time!" and then pick up book one and start all over just to see how all the pieces fall together once the truth is revealed. This is a tall order to accomplish as a writer, but it's already tested well with my beta readers, and I'm feeling pretty confident that it will set Breeder apart as unique in its genre once it is published.

3. Why do I write what I do?

There is one primary reason why I do what I do: I want to convey truth to a world that largely doesn't believe in objectivity. There are, of course, subjective things in this world, but I've always strongly believed in the objective nature of right and wrong. I won't go into my personal beliefs or more of my philosophy here, because I'd rather you (readers) read my books and try to figure it out for yourselves, but I will say that you will always find my books peppered with pointers to objective reality. I just realized that sounds kind of boring, so let me add that I also believe the primary function of fiction to be entertainment, and as such, it's a great venue for transmitting ideas in non-offensive ways. I must first write a good story, one that entertains and edifies, otherwise anything I want to say in my books will be lost.

4. How does my writing process work?

My writing process can be broken down into pretty distinct stages.

-Epiphany

This is the point at which the idea strikes me. I usually know when an idea is worth pursuing as a novel project. If it sticks with me and builds on itself, like a snowball rolling down a snowy slope, then I know it's a good idea, and I'll move into the next stage with it. And the epiphany can come from anything and strike at any time. For Breeder, it happened when reading an article in a magazine. For my next series after Breeder, it came from looking up at my favorite constellation one night.

-Dreaming and Brainstorming

This stage can go on for any length of time, and now that I'm an actual published author, the length of this stage is usually determined by publishing demands or what I think will sell. For example, I had my "epiphany" for Breeder only about two years ago, and I've had several ideas on the back burner for a lot longer than that, but I know that dystopian is hot right now, and I want to get on that train. So, I quickly moved Breeder into the organizing notes stage and on into planning and writing. But I have many more ideas that are still in the dreaming and brainstorming stage, and it's just a matter of when I will decide to publish those stories that determines moving on to the next stage with them. But this stage is fun - it's comprised of lots of randomness and lots of jotting down things in journals and drawing sketches and stuff like that. I usually come up with names and character and plot details during this stage, but it's very disorganized, and I have to be careful to write things down so I don't lose them. Much of what I work on during this stage doesn't actually make it into the final project, but that's okay, because it's all about dreaming of what could be. I'm in this stage right now with the series I will write after the Breeder Cycle. The next series is a science fantasy (yes, that's a thing) for a middle grade readership, and I've been dreaming and brainstorming this story for about two years, as well.

-Organizing notes

I only move into this stage once I've determined it's time to start actually working on a book (ie. when a publication date or goal is established). I take all the random notes from the dreaming and brainstorming stage (usually handwritten and in no particular order) and plug them in to a typed fact sheet. This is not an official outline, just a way for me to sift through what I've come up with so far and see where I have character, setting, and plot holes. This stage goes pretty quickly, and I will usually add the planning portion to this same document so I don't have to flip between my notes and my outline when I'm outlining and then writing. I will also usually write preliminary summaries of my story/stories at this stage.

-Planning

Anybody who's ever spent any time on my blog, website, or Facebook page knows by now that I'm a huge believer in planning a novel before writing it. This can be difficult, as I'm not a natural planner and usually I'm very disorganized, but I've found that I can't discipline my mind to finish a novel if I don't have the details spelled out ahead of time as a way to both keep me from following rabbit trails, and a way to keep the story coherent straight to the end. For this stage, I plug my organized notes into a sort of outline. I have utilized traditional outlines in the past, but I usually now use a ring composition chart outline that gives me not only the order of events, but the themes and points of importance that go along with each chapter, as well as the corresponding places to mirror and/or reverse echo those things from one half of the novel to the next. This method keeps my novels from becoming train-of-thought ramblings and ensures that every event is important to the story and moves the plot forward. I should point out, however, that my outlines are not exhaustive. I typically leave blanks and gaps where I don't exactly know what is going to happen, but the beauty of having an outline is that these gaps don't cause me to grind to a halt when I'm writing (the dreaded - and illusory - "writer's block"). Instead it's kind of like going on a journey. I know my destination (you must know the end of your story before you start writing it!), and several stops along the way, so gaps are often just rivers I need to bridge, or forests I need to traverse, and it's just a matter of figuring out how to get to the other side. That might sound cheesy, but it works!

-Writing

My writing stage goes pretty quickly, all things considered. If I've planned well, then there's no reason to get truly stuck, as I mentioned above. Having my notes organized into a reference sheet, and the linear progress of the story mapped out on a chart and/or outline of some sort, allows me the freedom to just write. My novels tend to be between 100,000-160,000 words each, and I usually knock that out in 6-12 weeks of straight writing. I don't like to be distracted when I'm writing, and I love to engage in what I call "marathon" writing sessions - where I write 5,000-15,000 words in one sitting. I get the least amount of sleep when I'm in this stage, and I'm totally focused on forward progress. I only re-read what I wrote the previous day when I sit down at my computer, and I resist going back for any deep revisions. If something strikes me as needing to change earlier on in the story, I'll make a note to go back and change it later, but I don't let it derail me from moving forward. My writing pace picks up the closer I get to the end of the novel, too, so it usually takes me half or a quarter of the time to write the last half of the novel as it took me to write the first half.

-Revising

Once the first draft is complete, I try to let it rest for a day or two or three before I start revisions. Sometimes, because of deadlines, I don't have the time for the resting period, but it really is very important whenever I can squeeze it in. I do one complete and thorough read-through revision before I submit the draft to my editors. This is where I go back and make any changes I noted in my writing period, check for story continuity, fix general typos and errors, and get a feel for it. I should love my story at the end of the revision/read-through, and if I don't, then I have a problem, because I probably haven't written a very good story. I will also revise my outline, if necessary, and my notes and preliminary summaries at this time to match the actual draft (because often things change a little as you write.) Once I'm happy with the draft and have it all polished up, I submit it to my editing team (and beta readers, too).

-Panicking, take 1

I spend the few weeks it takes my editing team to read and evaluate the manuscript panicking over whether or not they'll like it. I usually don't start off panicking, because finishing a manuscript and submitting it for publication is a pretty euphoric feeling, but once that euphoria fades, I panic. The anxiety can be so severe that I usually don't read my manuscript evaluations until a few days after my team sends them back, because I need to mentally prepare myself. (My lead editor teases me for this, as they've never actually given me a poor review... knock on wood.)

-Editing

This stage takes several months and is comprised of three main parts: substantive, copy, and reader edits. My editors do most of the work, and when they send their portions back to me, I basically just have to go through and approve the changes and corrections they've made. I usually don't end up with major rewrites - not anything I would consider major rewrites, at least. And I'm a pretty good sport about the whole process. When you're an author, you have to remember that your editors are trying to make your books better, not worse, so giving them the benefit of the doubt to do their job well is very important. I don't fight anything unless it's changing my voice too much, or unless they're trying to cut something that's crucial to the story, which doesn't happen very often. I have a very good relationship with my editors, and I intend to keep it that way.

-Panicking, take 2

Once the editing is complete, the manuscript is off to formatting, and at some point close to publication date, I receive a final document I have to sign off on. This always makes me panic at least a little because what if there's some major error none of us caught?! But . . . at some point, you have to declare the book done. So I sign off on it, and then spend the next few weeks until publication panicking over whether my readership will like it - which is really what it's all about in the end. It's so much blood, sweat, and tears to write, prepare, and publish a novel, and if nobody likes it after you've published it, I imagine it would feel like a wasted effort - and I know I would feel like I have let my entire team down. Thankfully, that's never happened to me (yet . . .), so I don't have any legitimate reason to panic, but it's hard to shake that anxiety. But, to end on a positive note, maybe I should add one more stage . . .

-Relief and Rejoicing!

Publishing a novel and having your readers respond in positive ways is one of the best feelings on the planet. My panic is replaced with relief, and I have a blast rejoicing with my readers over story details and anticipated conclusions. And then I rejoice a little personally at their agony over having to wait a whole 'nother year for my next book to come out. I'm not going to lie, it's great. :)


Okay, so that's my very thorough breakdown of my writing process. If you made it all the way to the end, huzzah for you! *Long-distance high five*

I hope you tune back in to the blog hop next week to learn all about my friend and fellow author Fran Amerson and her writing process. She writes memoirs about her struggles with infertility and journey to adoption, and she's releasing a new book on Mother's Day! You can find her blog here.

ALSO, I've roped a former student into participating, because she's writing her first novel (that she intends for publication, at least), and is a young and fresh mind, and I'm sure she'll have some excellent insight into the starting-out stage of the journey. Her name is Maggie Rapier, and as she's just now setting up her writing blog, I'll post the link as soon as I have it.

Thanks again, everyone! I hope you've enjoyed the post.

A Rested Brain

As I sit before my loyal Scribbus MacDoodle (my laptop, of course), I can't help but breathe a sigh of relief. I haven't blogged much this year - or, at all - but I have finished another manuscript and submitted it to my editing team, and I'm in that sweet spot of waiting for one of my two manuscripts to come back to me. The copy edit is currently underway for The Bone Whistle, and the manuscript evaluation is underway for Breeder. I don't know how long it will be on either of these, but it is a strange feeling to have no writing or editing hanging over my head. I haven't had a break like this since . . . I can't remember when, actually, but it's offering me a good opportunity to get caught up on some things I've been neglecting all these long months. Such as blogging. So this is just a basic update on a rested brain about a few of the things I have coming up.

Tomorrow night I go to speak at a gathering of educators in a suburb about a half hour north of me. I'm looking forward to sharing my publishing journey with them and getting to know them and their visions for their students. Hopefully I can build some good relationships there that will endure and lead to some speaking engagements with some of their schools in the coming months.

At the end of the month, I travel to Georgia to visit a school during their spring literature day. I'll get to be in a few classrooms and interact with the students one on one - something I really enjoy doing. I started writing my first novel when I was eleven, so I really have a passion to encouraging that creative spirit from an early age.

In July, I'll be speaking as part of a writing workshop at my local library in Alabaster, AL. I haven't had the opportunity to do a lot of activities like this in my immediate community, so I'm really looking forward to it!

I just finished off a great month of partnership with the charitable organization called One Tough Kid (http://www.onetoughkid.org). Sales were high during the month of March, which is excellent, as I'm donating $1 of every book I sold last month to One Tough Kid. I will be continuing my relationship with them and looking forward to further opportunities to partner and help support their organization. A big THANK YOU to all those who purchased my books last month and helped support OTK.

From May to September, I will be working on writing the remaining two installments to my Breeder Cycle trilogy: Criminal and Clone. I would really like to have these two finished and ready for submission should my publishing house decide to move forward with publishing the entire trilogy.

In October, the final installment of The Gateway Chronicles, The Bones Whistle will be published, and I will also be giving birth to another baby - our fourth! So, big month there!

And last but not least, in December Breeder should be published, assuming my editors like what they are currently reading and give the green light to move ahead with that project. I'm confident with the story, though, in fact, I really love it! And early beta reader feedback has been very positive, so that's always a good sign.

Don't forget, you can always follow me on Facebook (https://www.facebook.com/pages/K-B-Hoyle/155377154576880) and/or Twitter (https://twitter.com/kbhoyle_author) for up-to-the-minute news and information! Or . . . at least up to the day. :)

And Now For Something Completely Different...

2013 wrapped with me finishing the first draft of the final book in The Gateway Chronicles: The Bone Whistle. While I am far from finished with working on TGC and all that goes along with it, finishing the first draft of book 6 is very much a closing of a door, a turning of a page, a . . . whatever metaphor you want to apply to it. I'm moving on! After seven years of devoting all my writing energies to one series, I am more than ready to expand my repertoire a bit, and the first project that will demand my attention is one I've been planning for about two years. Tonight I will submit my draft of The Bone Whistle to my excellent editing team (with crossed fingers and bated breath), tomorrow I will work on a couple short beta reading projects I have committed to, and probably the day after that, I will begin serious work on Breeder.

Dystopian fascinates me. It is a sort of fantasy because the author has to imagine a world that doesn't exist, but it is also a sort of science fiction because the author has to imagine a world that could exist in the future. And from there, the possibilities are almost endless! I think Dystopian provides an excellent venue for an author to foretell a lot about what he or she believes will go wrong with the world as a result of current societal/cultural/ideological ills, and as such, as a genre, it is almost always intentionally instructive and simultaneously controversial. This presents a lot of challenges to the serious writer of Dystopia. How to instruct without being overly didactic? How to handle controversy? How far ahead to look? How to convince people of a worldview they might not otherwise consider? How to do all this WHILE keeping in mind that the primary function of a work of fiction is to entertain?

I'm looking forward to these challenges, even as some of them scare me. Breeder will be the first in a trilogy of books that I'm simply calling the Breeder Cycle, and it will be totally different from TGC - different in setting, different in tone, perspective, and voice, different in almost every way. My very young readers, and parents of my very young readers, should be informed that I don't intend this book to be for them (UNLESS parental units preview it and find it appropriate for their child, of course). I'm classifying it as New Adult, which means I'm writing it for an audience of 16-25 year olds, but I anticipate it may be appropriate for mature readers as young as 13 - again, depending on parental approval. To give you some idea of how this is different, I wrote TGC for ages 13-17, with each book maturing some along the way. Breeder must be written for an older audience because the subject matter  will be weighty, and some people will find it controversial. (I don't want to leave my younger readers completely in the lurch, though, and I have some plans to that effect. But until I know anything for sure, that's all I'll say!)

So, I'll be keeping you posted throughout 2014 as to the progress of The Bone Whistle and Breeder. As I'm writing Breeder, I'll be waiting on the editorial review on The Bone Whistle, which will be followed by the substantive edit. And basically I'll be back and forth between edits on the two books following manuscript submission of Breeder in March. I also have a few trips planned for the spring to visit schools and do educational talks, signings, etc., but my schedule is not full, so e-mail me if you or your school wants to host me! kbhoyle.author@gmail.com Cover design on both books is also well in swing, and come Spring, I'll toss you some teasers for TBW.

Overall, 2013 was a great year! I got to travel to Sydney, Australia and be a featured speaker at the Sydney Writer's Festival, I participated in two more festivals at which my books were the bestselling in their categories, I released book 5 in TGC, The Six and The Scroll became Amazon top 100 books, I had my first TV appearance, and I wrote The Bone Whistle. I'm hoping and praying for as much success, and more, in 2014. I'm so thankful to you all for making it happen!

Multiple Personality Disorder?

This fall I will find myself in a unique position - a position in which I have never been before. I will be working on two novels simultaneously! Wait, wait, wait, some of you are thinking right now, aren't you always working on multiple ideas at a time? To be sure, yes, but I've never seriously worked on two novels at once. It's one thing to gather ideas and take notes, it's another thing entirely to sit down and write to a deadline, and that's what I'm going to be doing. I have to say, I'm relishing the challenge, although I'm also wondering if, in the end, I'll feel plagued with multiple personality disorder. Authors tend to get so immersed in their writing that they become their characters, or at least one of them, so working on two novels with two very different protagonists and two very different story concepts is going to be interesting. The first book, and the one that will obviously take precedence, is the last book in The Gateway Chronicles, The Bone Whistle. The second book, due shortly after the manuscript for The Bone Whistle is due, is Breeder, the first book in my upcoming dystopian trilogy. So an added challenge here is that I will be pulling all the pieces together on one series while putting all the pieces out on the next. I think it's going to feel a bit like playing two games of chess at the same time - one I'm just in the process of winning, and one I'm just starting to play. The Bone Whistle, too, is contemporary fantasy adventure, while Breeder is futuristic dystopian romance with a touch of science fiction. Aside from the speculative nature of both mixed genres, these books are going to be very different! Not to mention that I'm playing around with the idea of writing Breeder in first person present tense, and The Bone Whistle, as with all the books in The Gateway Chronicles, is in third person limited omniscient past tense. Multiple personality disorder indeed. But truly, I am looking forward to it. I think it will be a treat to be able to go back and forth between stories and characters, and I think it will help my brain to stay elastic, as it were. A brain that is never challenged grows stagnant over time!

Some of you who have been following my adventures for a while may be wondering how I can possibly have the time to write two novels at a time this fall. Well, I'm happy to announce that I'm making the leap to full time author! I will no longer be teaching history at my school, although I am retaining just one creative writing course. I will always have a passion for bringing young people along in their writing endeavors, so teaching creative writing just three hours a week is an important thing for me to continue doing. Aside from that, I will be caring for my boys at home, writing, promoting, traveling, and speaking, and I think it's going to be wonderful! And yes, I do have time to write two novels.

Don't forget to mark your calendars for the release of The Scroll on October 17th! I've been finished with it for so long that I can hardly believe you all haven't read it yet! To whet your appetite, here's a little sneak peak:

Perry began to deal the cards, acting indifferent. “Hearts, everyone? Someone will need to be on a team.”

“I’ll team with Darcy,” Sam said. “I’m terrible at this game.”

Darcy felt a stab of annoyance. She was ultra-competitive at cards and hated being on a team with anyone. Still, she knew she shouldn’t be so uncharitable toward her best friend.

“You do this every year . . . by yourself?” Darcy asked as Perry continued to deal.

“Yep. Helps me to wind down.”

“You know what doesn’t help me to wind down?” Dean said, and his tone of voice caused them all to look up. Dean lifted his chin toward the window and stood.

Darcy looked out the window and followed suit so fast her chair skittered out behind her and fell over.

Colin Mackaby stood on the other side with his nose almost flattened against the screen. The light from the dining hall reflected eerily off his eyes and washed his face in a pale yellow light.

Sam gasped and backed all the way up to the wall, clutching at Darcy to keep upright.

Colin stared at them without moving, and then he smiled and turned to walk away.

“Oh no he doesn’t!” Perry threw his cards down and charged out of the wing and to the patio door. The sound of Perry smashing into the crash bar echoed in the dining hall. Dean was fast on Perry’s heels, and Darcy and Lewis followed, dragging Sam with them.

They caught up to Perry behind the lodge, just off the patio. He had Colin backed up against the side of the building, his forearm jammed beneath Colin’s chin and his other arm cocked out, fist ready.

“Stop!” Darcy threw her hands out and caught each of them with her magic, forcing them apart.

Perry stumbled backward, looking affronted, and Colin slid a few inches down the wall, never taking his eyes off Perry. He seemed unsurprised that Darcy could perform her magic at Cedar Cove now.

“You broke my sword!” Perry shouted at Colin. “And you tried to give Darcy to Tselloch. She should have let Liontari kill you, you worthless piece of—”

“Perry, stop it!” Darcy shoved him hard. “You’re not helping anything.”

“You should listen to her,” Colin said.

Perry made to lunge at Colin again, but Dean held him back.

“You have no idea what you’re dealing with,” Colin said. He looked at each of them in turn. “It amazes me, how in the dark Pateros keeps you.”

“If you know so much, why don’t you enlighten us?” Dean said.

“You don’t even know how a gateway is formed,” Colin said, continuing as though Dean hadn’t spoken.

“And I suppose you do?” Darcy asked, trying to keep her voice level.

“Wouldn’t you like to know?”

“Yeah, I would, actually.”

“Darcy,” Sam said. “I don’t think this is the best way to learn—”

Darcy shook her off. “We need to know, both for Alitheia and for here. If he knows how, maybe he can help us.”

“Why would he help us? He’s working with Tselloch. He’s obviously trying to help Tselloch take over this world as well as Alitheia,” Lewis said.

“He doesn’t know anything,” Dean said. “He just wants us to think he does.”

“Of course I do! I’m part of it.” Colin’s expression became manic. “I’m more a part of it than any of you ever will be. I’m destined to rule Alitheia, not Darcy, not any of you, I—”

“Colin, Tselloch fed me that lie, too—”

“It’s not a lie!” he screamed, and spit flew from his mouth.

“Darcy saved your life,” Sam said, speaking soothingly. “Twice. She’s trying to help you.”

“She’s trying to help herself.”

Darcy huffed and rolled her eyes. There didn’t seem to be any way of breaking through to him.

“You shouldn’t judge her,” Sam said, pointing at Colin.

“If I wanted advice from a dumb blonde, I would have asked for it.”

Perry broke free of Dean’s grip and punched Colin across the face. Colin’s head recoiled against the siding, then he ducked so Perry’s second fist struck the side of the building instead. He crouched, spun, and leapt onto Perry’s back before throwing an arm around Perry’s neck and bringing Perry to his knees with a chokehold. Dean leapt forward and grappled with Colin’s shoulders.

“Do something!” Sam shouted and grabbed Darcy’s arm.

“I can’t if you’re holding on to me like that!” Darcy wriggled out of Sam’s grasp.

“What’s going on out here?” an adult shouted across the grounds.

“Help, please!” Sam waved her arms.

A flashlight clicked on and two men ran their direction. “Boys, break it up! Boys!”

Perry shoved up with his legs and slammed Colin against the side of the building. Colin let out a sharp exhalation of pain, and Dean pried his arms off Perry’s neck and pinned them to his sides. Perry spun, coughing and gasping, and punched Colin across the face again.

“Stop, Perry.” Sam grabbed his wrist as he wound back again. “Dean’s got him. He’s done.”